- The Woman in White.
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Reading this book for the first time it hints, tantalises and slowly develops giving a story that keeps you reading. The text, as with any classic of this age, may be challenging at first however the notes really help Bound in beautiful cloth, the cover of this only hints at the brilliance inside.. A fast paced, clever thriller told through diary entries and letters of a diverse mix of characters brought together by the proposed Collins creates in the initial pages a surreal atmosphere and sense of unreality which jolts the reader and which is maintained by the ghostly figure of Anne Catherick who haunts the pages of the novel to the very Please sign in to write a review.
The Woman In White
Quantity Add to basket. This item has been added to your basket View basket Checkout. Your local Waterstones may have stock of this item. View other formats and editions. Synopsis Author. Wilkie Collins Wilkie Collins was born in London in , the eldest son of the landscape painter William Collins. Visit the Wilkie Collins author page. Added to basket. Charles Dickens.
Dr Jekyll and Mr Hyde. Robert Louis Stevenson. The Woman In Black. Susan Hill. Mary Shelley. From the hero's foreboding before his arrival at Limmeridge House to the nefarious plot concerning the beautiful Laura, the breathtaking tension of Collin's narrative created a new literary genre of suspense fiction, which profoundly shaped the course of English popular writing. Collins other great mystery, The Moonstone , has been called the finest detective story ever written, but it was this work that so gripped the imagination of the world that Wilkie Collins had his own tombstone inscribed: "Author of The Woman In White.
On a lonely moonlit road, a young drawing teacher meets a mysterious woman, dressed all in white, only to be struck by her eerie resemblance to his pupil, the beautiful heiress Laura Fairlie. Who is this ghostly woman in white? This gripping dramatization of the classic Victorian suspense novel opens in a London courtroom, where an inquiry into Laura s suspicious death is underway.
As various characters recount the weeks leading up to her marriage and sudden illness, Collins s chilling tale of love, greed, and insanity springs to life with the aid of a brilliant cast, including Stratford Festival star Douglas Campbell as the diabolical Count Fosco.
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Convert currency. Add to Basket. Book Description Condition: New. Seller Inventory More information about this seller Contact this seller. Seller Inventory n. Book Description Penguin Classics. Condition: New. Seller Inventory ZZN. Language: English.
Brand new Book. Wilkie Collins's The Woman in White, the first Victorian 'sensation novel' and one of the earliest mystery novels in English, weaves multiple narratives into a thrilling and suspenseful tale of mistaken identity and dark desires. This Penguin Classics edition is edited with notes and an introduction by Matthew Sweet. As Kenneth Robinson, one of Collins's earliest biographers, pointed out, "even Dickens had not known such incidental publicity".
While Collins was no stranger to the literary scene at the time of The Woman in White's appearance by he had published four novels, two collections of short stories, and numerous other books and essays , he had not yet become an author of completely independent means. Unlike Dickens his friend, boss, and mentor he had not been catapulted to international fame by his early novels, and thus still retained his day job as a journalist.
The Woman in White and The Moonstone - Reading Guides - Penguin Classics - Penguin Group (USA)
But The Woman in White changed all that. As a serial, the novel lifted the circulation of All the Year Round to even higher levels than had Dickens, and Sampson Low's first printing of 1, copies of the three-volume edition in August of sold out on publication day. Five thousand pounds, for nine months or, at most a year's work — nobody but Dickens has made as much. Collins's storytelling talents were utterly mesmerising for Victorian readers — and they are no less captivating for readers today.
He was the master of the "cliff-hanger", and given the 40 or so of them that strategically punctuate The Woman in White, it's not difficult to see why this Victorian novel continues to thrill us. Our flesh creeps when Anne Catherick places her hand on Walter's shoulder; our hearts ache when Marian Halcombe falls ill and Count Fosco violates her diary; our blood curdles when Walter Hartright stands next to his beloved's tombstone, only to look up and find her standing there. The apparitions that Collins conjures are the ghosts that ensured not just his success but his longevity.
They are what have kept readers going back for more during the last years, and they bear testament to the value of Collins's self-professed, "old-fashioned" opinion that "the primary object of a work of fiction should be to tell a story
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