Blood Royal


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A bird you would have liked brought the sky down But it was useless to see it without you around And in the unstoppable camera of my mind's eye I saw you and some foreign guy. And I could hear your voice ringing I could hear you singing From all away across the country in Palm Springs 9 I could hear you now.

Your laughter tore through the New Jersey night And I can't stand it, but I'm all right Stood out on the balcony and I took a look around And a bird we would have loved the sight of brought the sky down. And I could hear your voice ringing I could hear you singing From all away across the country in Palm Springs I could hear you now.

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As the sun went away It was sending out signals You had sugar on your stomach You had sugar on your hair You had sugar underneath your eyes You had sugar on your mouth I know that trick too I know what it means coming from you. Thanks as always to Caliclimber, whose wonderful Flickr page provided the album art. I transferred them to quarter-inch reels and sent them down to New Zealand.

Orange Raja, Blood Royal

A couple weeks later the phone rings at in the morning. It's Alastair Galbraith. He holds the phone up to his four-track reel-to-reel and plays me the first of these four songs. Hands-down one of the best moments I've ever had, listening to what Alastair had done, lying on my bedroom floor in the dark with the phone pressed up to me ear. The violin wailed through the earpiece like a newborn infant. In an interview, he described the collaboration as follows:. John Darnielle at that point, as he does now, played acoustic guitar and sang, and that time he had the 'Bright Mountain Choir' backing him up, two women that sat on either side of him in chairs and swayed from side-to-side and sang a bit of back-up harmony.

His intensity was awe-inspiring, and he lived the songs as he sang them. His lyrics were so beautiful, and the fact that he was really feeling what he was communicating struck me very powerfully and by the time he had finished I'd written him a kind of fan letter at the table I was sitting at, saying that I had never seen anything like this, and that he was a great songwriter and a brilliant performer and that it was hard to go on after him. Later that evening he and I and Dennis Callacci and Alan Callacci [sic] sat around at Dennis's house and passed around an acoustic guitar and played each other lots of songs.

John wrote to me after I got back to New Zealand and asked if I would be interested in putting violin onto some songs. I ended up thinking I wanted to put more than just violin on, so I ended up using old, fake, third-world-shop tabla and a little bit of mouth organ which I had never played before, and a few violin tracks and sang, or repeated, some of his lines, although he'd asked me not to laughs. But he ended up liking that. And that's ideal. J: We played a show together at The Haven near Pomona. I enjoyed what he did and he enjoyed what I did. I mentioned to him before he left the possibility of doing something and he said, sure, send me stuff.

And I did. J: He wrote me a letter and we really hit it off spectacularly that night. It was amazing.

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And those songs [from the Orange Raja, Blood Royal 7"] were written at a very particular time he knew a lot of details about — that he correctly heard where they were coming from and really hooked into it. He's great. First interview potentially printed originally in Ptolemaic Terrascope 23 July , but it's unclear, as their online archive includes much of this interview, but not this particular question.

Houser, Matt John Darnielle of the Mountain Goats. Science Geek 4. Retrieved August 21, A raja is a Sanskrit word for a monarch, used throughout the Indian subcontinent. His work focused largely on Christian ethics, alienation, the subjectivity of meaning, establishing the self, and other existential themes. In particular, Fear and Trembling , a title drawn from the Psalms, discusses the importance of resignation to one's fate as a key step in faith, allowing one to truly be hopeful and free.

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To make this point, he draws on the Biblical story of Abraham, who is called on by God to sacrifice his only son, Isaac. The quoted phrase is derived from a paragraph in which Kierkegaard is exploring what he calls the "knight of faith", a person whose faith in God and himself allows them freedom of choice. Particularly, he is arguing that letting go of attachment to some possibilities allows him a greater and more profound spiritual experience.

Fear and Trembling. The violin wailed through the earpiece like a newborn infant.

Black Library - Blood Royal (eBook)

In an interview, he described the collaboration as follows:. John Darnielle at that point, as he does now, played acoustic guitar and sang, and that time he had the 'Bright Mountain Choir' backing him up, two women that sat on either side of him in chairs and swayed from side-to-side and sang a bit of back-up harmony. His intensity was awe-inspiring, and he lived the songs as he sang them.

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His lyrics were so beautiful, and the fact that he was really feeling what he was communicating struck me very powerfully and by the time he had finished I'd written him a kind of fan letter at the table I was sitting at, saying that I had never seen anything like this, and that he was a great songwriter and a brilliant performer and that it was hard to go on after him.

Later that evening he and I and Dennis Callacci and Alan Callacci [sic] sat around at Dennis's house and passed around an acoustic guitar and played each other lots of songs. John wrote to me after I got back to New Zealand and asked if I would be interested in putting violin onto some songs. I ended up thinking I wanted to put more than just violin on, so I ended up using old, fake, third-world-shop tabla and a little bit of mouth organ which I had never played before, and a few violin tracks and sang, or repeated, some of his lines, although he'd asked me not to laughs.

But he ended up liking that. And that's ideal.


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J: We played a show together at The Haven near Pomona. I enjoyed what he did and he enjoyed what I did. I mentioned to him before he left the possibility of doing something and he said, sure, send me stuff. And I did. J: He wrote me a letter and we really hit it off spectacularly that night. It was amazing. And those songs [from the Orange Raja, Blood Royal 7"] were written at a very particular time he knew a lot of details about — that he correctly heard where they were coming from and really hooked into it. He's great. First interview potentially printed originally in Ptolemaic Terrascope 23 July , but it's unclear, as their online archive includes much of this interview, but not this particular question.

Houser, Matt John Darnielle of the Mountain Goats. Science Geek 4.

zaki.vot.pl/img/use/bulyg-localizador-o-rastreador.php Retrieved August 21, A raja is a Sanskrit word for a monarch, used throughout the Indian subcontinent. His work focused largely on Christian ethics, alienation, the subjectivity of meaning, establishing the self, and other existential themes. In particular, Fear and Trembling , a title drawn from the Psalms, discusses the importance of resignation to one's fate as a key step in faith, allowing one to truly be hopeful and free. To make this point, he draws on the Biblical story of Abraham, who is called on by God to sacrifice his only son, Isaac.

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The quoted phrase is derived from a paragraph in which Kierkegaard is exploring what he calls the "knight of faith", a person whose faith in God and himself allows them freedom of choice. Particularly, he is arguing that letting go of attachment to some possibilities allows him a greater and more profound spiritual experience. Fear and Trembling. Evans, Stephen, and Walsh, Sylvia, editors. Cambridge: Cambridge University Press. This play tells the story of Thyestes, who with his brother Atreus murder Chrysippus, their half-brother, to secure the throne of Olympia.

Their father, Pelops, exiles them, and they ultimately become rulers of Mycenae, leaving many deaths and betrayals behind them. This quote is spoken in the beginning of the play by the Ghost of Tantalus, who is speaking with one of the Furies, as he refuses the Fury's call to torment other prisoners. Tantalus is a Greek mythological figure famous for his eternal punishment in Tartarus, the prison of the Titans, where he is forced to stand in a pool of water underneath an abundant fruit tree, but starves and thirsts as the pool and fruit always pull away from his reach.

More fully, Tantalus' Ghost says quote underlined :. Quicumque poenas lege fatorum datas pati iuberis, quisquis exeso iaces pavidus sub antro iamque venturi times montis ruinam, quisquis avidorum feros rictus leonum et dira Furiarum agmina implicitus horres, quisquis immissas faces semiustus abigis, Tantali vocem excipe properantis ad vos: credite experto mihi, amate poenas. Whoe'er thou art, by the fates' law bidden to suffer allotted punishment; whoe'er liest quaking beneath the hollowed rock, and fearest the downfall of the mountainous mass even now coming on thee; whoe'er shudderest at the fierce gaping of greedy lions, and, entagled in their toils, dost shudder at the dread ranks of furies; whoe'er, half burned, shunnest their threatening torches, hear ye the words of Tantalus now hasting to you: believe me who know, and love your punishments.

Oh, when shall it fall to me to escape the upper world? Seneca the Younger

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